When was the series American Horror Story first aired?

American Horror Story: Murder House (originally titled as American Horror Story) is the first season of the FX television series "American Horror Story". It aired between October 5, and December 21, 2011. The season was produced by 20th Century Fox Television, and the executive producers were Dante Di Loreto and series creators Brad Falchuk and Ryan Murphy.

American Horror Story: Murder House

It centers on the Harmon family:, and their daughter, who move from Boston to Los Angeles after Vivien has a miscarriage and Ben has an affair. They move into a restored mansion, unaware that the house is haunted by the ghosts of its former residents and their victims.

The first season of "American Horror Story" received generally positive reviews from critics. The series drew consistently high ratings for the FX network, ending its first season as the biggest new cable series of the year. The season was nominated for various industry awards, including the Golden Globe Award for Best Television Series – Drama, and received a total of seventeen Emmy Award nominations. In addition, Lange won the Golden Globe for Best Supporting Actress, the Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Drama Series, and the Primetime Emmy Award for Outstanding Supporting Actress in a Miniseries or a Movie.

The first season follows the Harmon family: Ben (Dylan McDermott), Vivien (Connie Britton) and Violet (Taissa Farmiga), who move from Boston to Los Angeles to start a new life in a Victorian mansion, after Vivien has a miscarriage and Ben has an affair with Hayden McClaine (Kate Mara), one of his students. On arrival, they learn from Marcy (Christine Estabrook), the real estate agent, that the previous owners of their new mansion, a couple named Chad and Patrick (Zachary Quinto and Teddy Sears), died in an apparent murder/suicide. Their neighbor, Constance Langdon, (Jessica Lange) and her daughter Addie (Jamie Brewer) become frequent, and mostly unwelcome, guests. Addie seems to have a connection with the house's mysterious past. Larry Harvey (Denis O'Hare), a former resident of the house who has suffered from terrible burns, also begins inserting himself into the Harmons' lives, giving Ben a cryptic warning about the house. The house also "comes with" Moira O'Hara (Frances Conroy and Alexandra Breckenridge), a housekeeper who appears young and seductive to men, but old and matronly to women.
Creators Murphy and Falchuk began working on "American Horror Story" before their Fox series "Glee" began production. Murphy wanted to do the opposite of what he had done previously and thus began his work on the series. He stated, "I went from "Nip/Tuck" to "Glee", so it made sense that I wanted to do something challenging and dark. And I always had loved, as Brad had, the horror genre. So it just was a natural for me." Falchuk was intrigued by the idea of putting a different angle on the horror genre, stating that their main goal in creating the series was to scare viewers. "You want people to be a little bit off balance afterwards," he said.

The dark tone of the series is modeled after the ABC soap opera "Dark Shadows", which Murphy's grandmother forced him to watch when he was younger to toughen him up. He also cited "Rosemary's Baby", "Don't Look Now", "The Amityville Horror", and Stanley Kubrick's version of "The Shining" as influences for the series.

From the beginning, Murphy and Falchuk planned that each season of the series would tell a different story. After the first-season finale aired, Murphy spoke of his plans to change the cast and location for the second season, while retaining some actors from the first, "The people that are coming back will be playing completely different characters, creatures, monsters, etc. [The Harmons'] stories are done."

In February 2011, FX officially announced that it had ordered a pilot for a possible series from Ryan Murphy and Brad Falchuk, with both Murphy and Falchuk writing and Murphy directing. Dante Di Loreto was announced as executive producer. Production on the series began in April 2011. In July 2011, FX officially announced the project had been given a series order consisting of 13 episodes. In August 2011, it was announced that Tim Minear, Jennifer Salt, James Wong and Jessica Sharzer had joined the series as writers.

On October 30, 2016, Murphy announced that a future crossover season of the series would continue the "Murder House" and "Coven" stories, merging their characters and themes. He did not state which season it would be, but that he had already reached out to actors from both seasons to reprise their respective roles. Murphy later confirmed one of the "Murder House" characters will be moved in the season finale of "Coven". However, on January 5, 2018, it was initially announced that the crossover season will be taking place in the ninth season, but on June 14, 2018, the crossover was moved from Season 9 to the eighth season, "" instead.

Casting announcements began in March 2011, with Connie Britton first to be cast, portraying female lead Vivien Harmon. Britton stated that she took a risk in taking the role of Vivien. When Murphy presented the role to her, he said, "This is something we've never seen you do before. It will be turning what you've just been doing on its ear." She was intrigued by what he had presented her and ultimately decided to take the part. In an interview with "Entertainment Weekly", series co-creator Ryan Murphy stated that he had told Connie Britton, early on, that her character Vivien would die in the first season. "We've really had the whole season mapped out from the beginning," he said. "In the meetings with the core actors, the three leads being Connie, Dylan [McDermott] and Jessica [Lange], as we tried to snare them we were able to say this is where you start, this is the middle, and this is where you end up. So, yes, I was able to tell Connie really the whole run of the series."

Denis O'Hare joined the cast in late March 2011 as Larry Harvey. Jessica Lange joined the cast in April 2011 as Constance, marking her first regular role on television. Lange was attracted to the role because it didn't require a 22-episode commitment like a series on a broadcast network. "That was huge for me!" she said. "I wasn't about to commit to, you know, six months. It was cable, rather than network... I've been offered network [shows] before, and determined not to do it, just because I can't make that kind of time commitment."

Dylan McDermott was cast as the lead Ben Harmon in late April 2011. His character was initially described as "a handsome and masculine but sensitive therapist who loves his family but has hurt his wife." McDermott stated that he wanted to do the role to break away from his previous role as Bobby Donnell in the ABC series "The Practice". "This was exactly why I wanted to do this show – to change it up and do a different kind of character. People think of me as the guy from "The Practice"... I wanted to turn that [notion] on its head and hopefully I'm doing that [with this show]", he said.

In May 2011, Taissa Farmiga and Evan Peters were the last lead actors to be cast, portraying Violet Harmon and Tate Langdon, respectively. Farmiga said that she loved Violet "immediately" and that "she had spunk to her, she had attitude." Murphy has described Tate as the "true monster" of the series, adding, "To Evan's great credit and the credit of the writers, I think Evan's done an amazingly difficult job making a monster sympathetic."

The pilot episode was shot on location in a house in Country Club Park, Los Angeles, California, which serves as the haunted house and crime scene in the series. Designed and built in 1902 by Alfred Rosenheim, the president of the American Institute of Architects' Los Angeles chapter, the Tudor or Collegiate Gothic-style single family home was previously used as a convent. An adjoining chapel was removed from exterior shots using CGI.

The series is filmed on sets that are an exact replica of the house. Details such as Louis Comfort Tiffany stained glass windows, and hammered bronze light fixtures, were re-created to preserve the look of the house. The house became available for rent on Airbnb for six months, beginning February 2016, before being unlisted.

Due to a "very aggressive" production schedule and the series' pilot shoot having to wait for co-creators Ryan Murphy and Brad Falchuk's other show, "Glee", to wrap its second season production, it was announced that the show's first-season finale, the thirteenth episode, would be thirty minutes shorter than planned. Finally, the thirteenth episode was dropped and they made the twelfth episode 10 minutes longer (52 minutes). The finale aired on December 21, 2011.

The opening title sequence was created by Kyle Cooper and his company Prologue. He also created the title sequence for the AMC series "The Walking Dead" and the 1995 film "Se7en". The theme music was composed by sound designer Cesar Davila-Irizarry and musician Charlie Clouser. The sequence is set in the Harmons' basement and includes images of postmortem young children, unborn (or aborted) babies in jars, skulls, a Christening dress, a nurse's uniform, and a figure holding a pair of bloody hedge clippers. Murphy described the sequence as a mini-mystery and stated, "By the time you see the ninth episode of this season, every image in that title sequence will be explained".

"American Horror Story: Murder House" received generally positive reviews from critics. The first episode scored 62 out of 100 on Metacritic based on 30 reviews. The review aggregator website Rotten Tomatoes reported a 73% approval rating with an average rating of 6.6/10 based on 39 reviews. The website's consensus reads, "Convoluted yet effective, "American Horror Story" is strange, gory, and twisted enough to keep viewers hooked." Ken Tucker from "Entertainment Weekly" awarded the pilot episode a B+, stating, ""AHS" is pretty much all scare, all the time: a whole lotta screams, sex, jolts, mashed faces, psychotic behavior, and dead babies." Chuck Barney of the "San Jose Mercury News" said, "Most TV shows, after all, quickly fade from memory. This one will haunt your dreams." Hank Stuever from "The Washington Post" said in his review, "Overdoing things is one of Murphy's trademark flaws, but this show has a captivating style and giddy gross-outs." "The New York Times" Mike Hale called the show "a more classically minded chiller," taking into mind the success of HBO's "True Blood" and AMC's "The Walking Dead". However, not all reviews were favorable. Alan Sepinwall of HitFix gave the series a D−, saying, "It is so far over the top that the top is a microscopic speck in its rearview mirror."

In its first season, "American Horror Story" was nominated for 65 awards, and won 19.

* The FX network submitted the series to the Academy of Television Arts & Sciences in the miniseries, rather than the drama series, category for its 64th Primetime Emmy Awards.

The pilot episode gained a 1.6 ratings share among adults aged 18–49 and garnered 3.2 million viewers, and totalled 5.2 million between two airings. These were the best numbers FX had ever received for a series premiere. Taken together with equally strong numbers for the station's returning original series – "Sons of Anarchy", "It's Always Sunny in Philadelphia" and "The League" – the episode helped make October the most-watched month on FX ever. The episode was seen by 3.2 million viewers total in 59 countries.

Ratings increased as the season progressed, with the fourth episode receiving a 1.7 ratings share among adults 18–49, a tenth of a point higher than the pilot episode. The seventh episode had a viewership of 3.06 million, receiving a 1.8 ratings share in the 18–49 demographic; a series high. The season finale was watched by 3.22 million viewers and received a 1.7 ratings share in the 18–49 demographic. The first season tied with the TNT series "Falling Skies" as the biggest new cable series of the year among adults 18–49.

"American Horror Story" November 2011 international premiere across Europe and Latin America, on Fox International Channels, drew rankings of 1st or 2nd among all Pay-TV in most metered markets for its time slot. In the UK, it premiered on non-terrestrial channel FX, with 128,200 viewers. The second episode saw an increase of 27%, receiving an overall viewership of 158,700.

The pilot episode of "American Horror Story" was watched by 3.2 million viewers and averaged a 1.6 rating in the 18–49 years adult demographic, the most sought after by advertisers. These were the best numbers FX had ever received for a series premiere. The episode was seen by 3.2 million total viewers in 59 countries. Ratings increased as the season progressed, with the season finale being watched by 3.22 million viewers and receiving a 1.7 ratings share in the 18–49 years adult demographic. The series premiere aired in November 2011 across Europe and Latin America on Fox International Channels, and ranked as first or second most watched telecast in its timeslot among all paid television in most metered markets. "Numbers so strong, it's scary. "American Horror Story" has brought droves of new viewers to a killer global lineup", said Hernan Lopez, the president of Fox International Channels.

American Horror Story

American Horror Story (sometimes abbreviated as AHS) is an American anthology horror television series created by Ryan Murphy and Brad Falchuk. Each season is conceived as a self-contained miniseries, following a different set of characters and settings, and a storyline with its own "beginning, middle, and end." Some plot elements of each season are loosely inspired by true events. The only actors to be present in all iterations are Evan Peters and Sarah Paulson with Lily Rabe and Frances Conroy appearing in all but one of the seasons each.

The first season, retroactively subtitled "", takes place in Los Angeles, California, during the year 2011, and centers on a family that moves into a house haunted by its deceased former occupants. The second season, subtitled "", takes place in Massachusetts during the year 1964, and follows the stories of the patients and staff of an institution for the criminally insane. The third season, subtitled "", takes place in New Orleans, Louisiana, during the year 2013, and follows a coven of witches who face off against those who wish to destroy them. The fourth season, subtitled "", takes place in Jupiter, Florida, during the year 1952, and centers around one of the last remaining American freak shows and their struggle for survival. The fifth season, subtitled "", takes place in Los Angeles, California, during the year 2015, and focuses on the staff and guests of a supernatural hotel. The sixth season, subtitled "", takes place in North Carolina during the years 2014–2016, and focuses on the paranormal events that take place at an isolated farmhouse haunted by the deceased Roanoke colony. The seventh season, subtitled "", takes place in the fictional suburb of Brookfield Heights, Michigan, during the year 2017, and centers on a cult terrorizing the residents in the aftermath of the 2016 U.S. presidential election. The eighth season, subtitled "", takes place in California during the years 2018-2021 and features the return of the witches from "Coven" as they battle the Antichrist from "Murder House" and attempt to prevent the apocalypse.

The series is broadcast on the cable television channel FX in the United States. On January 12, 2017, the series was renewed for a ninth season, with a two-season renewal alongside "Apocalypse". On August 3, 2018, the series was greenlit for a tenth season.

Although reception to individual seasons has varied, "American Horror Story" largely has been well received by television critics, with the majority of the praise going towards the cast, particularly Jessica Lange, who won two Emmy Awards, a Golden Globe Award, and a Screen Actors Guild Award for her performances. Kathy Bates and James Cromwell each won an Emmy Award for their performances, while Lady Gaga won a Golden Globe Award. The series draws consistently high ratings for the FX network, with its first season being the most-viewed new cable series of 2011.

Set in the year 2011, the season follows the Harmons, consisting of wife and mother Vivien (Connie Britton), her psychiatrist husband Ben (Dylan McDermott), and their teenage daughter Violet (Taissa Farmiga), as they move from Boston to Los Angeles to make a fresh start after Vivien's miscarriage led to Ben having an affair with one of his students, which almost tore their family apart. They move into a restored mansion and soon encounter the residence's housekeeper, Moira O'Hara (Frances Conroy and Alexandra Breckenridge), as well as their neighbors – the eccentric Langdon family consisting of Constance (Jessica Lange) and her daughter Adelaide (Jamie Brewer). The Harmons' lives are troubled by the meddling Langdons, the incompetent realtor Marcy (Christine Estabrook), as well as by the disfigured Larry Harvey (Denis O'Hare), a former resident of the mansion who is secretly in love with Constance, and the scorned Hayden McClaine (Kate Mara), Ben's student who follows him to Los Angeles and is pregnant from the affair. Ben and Vivien try to rekindle their relationship while Violet, suffering from depression, finds comfort in Tate (Evan Peters), the ghost of Constance's psychopathic son. The family soon discovers that the home is haunted by the ghosts of anyone who has ever died on the property, including its creators Charles (Matt Ross) and Nora Montgomery (Lily Rabe); and their deformed son Thaddeus (Ben Woolf). Flashbacks depict the mansion's previous homeowners throughout the last century, dating back to its construction in the 1920s.

Set in the year 1964, the season follows the patients and staff members of the church-owned Briarcliff Manor, located in Massachusetts, which was founded to treat and house the criminally insane. Kit Walker (Evan Peters), accused of being a prolific serial killer named "Bloody Face" after the disappearance of his wife Alma (Britne Olford)—though he claims she was abducted by aliens—is incarcerated at Briarcliff. This piques the interest of ambitious lesbian journalist Lana Winters (Sarah Paulson), who is yearning to find a story for her big break. At Briarcliff, Kit meets the other patients, many of whom claim to be unjustly institutionalized, including microcephalic Pepper (Naomi Grossman), who was framed for her nephew's murder; nymphomaniac Shelley (Chloe Sevigny), whose husband hypocritically committed her after finding her in bed with two guys; and the unassuming Grace Bertrand (Lizzie Brocheré) from France, who appears to be harboring a deep secret of her own. Believed to be a violent serial killer, he becomes the subject of interest of pragmatic psychiatrist Oliver Thredson (Zachary Quinto) and the sadistic Dr. Arthur Arden (James Cromwell), the latter of whom routinely conducts scientific operations on patients. The institution is run under the watchful eye of the stern Sister Jude (Jessica Lange), as well as her second-in-command, the naive Sister Mary Eunice (Lily Rabe), and the founder of the institution, Monsignor Timothy Howard (Joseph Fiennes). Briarcliff's inhabitants are routinely subject to supernatural and scientific influences, including demonic possession and extraterrestrial abduction.

Set in the year 2013, the season follows the dwindling descendants of the witches who survived the Salem Witch Trials and their struggle to hide their identity in the modern world. Those who share this genetic affliction are being subjected to violent attacks from outside forces, such as voodoo practitioners and witch hunters. Zoe Benson (Taissa Farmiga), a young teenager completely unaware of the existence of witches, discovers her identity as a Salem descendant after a violent accident that causes the death of her boyfriend. She is sent to an all-girls boarding school in New Orleans which aims to protect and house young women who carry this unique bloodline, and keep them from the dangers of the outside world. There, she meets the other students, narcissistic film star Madison Montgomery (Emma Roberts), outspoken Queenie (Gabourey Sidibe), and enigmatic Nan (Jamie Brewer), and gets romantically entangled with Kyle Spencer (Evan Peters), a non-witch and good-natured college student. The school is run by headmistress Cordelia Foxx (Sarah Paulson), head of the Witches Council, eccentric fashionista Myrtle Snow (Frances Conroy), and the mute butler Spalding (Denis O'Hare). Cordelia's mother, Fiona Goode (Jessica Lange), is the Supreme and most powerful witch of her generation, though she regularly avoids her responsibilities, much to the chagrin of Cordelia and her long-time rival Myrtle. After a mob of townspeople discover and nearly kill a young witch living in the swamps named Misty Day (Lily Rabe), Fiona returns to the school to ensure the safety of the other young witches, but also to fulfill her own hidden agenda. Events reveal a long-held rivalry between the witches of Salem and the voodoo practitioners of New Orleans, as well as a historic grudge between Voodoo Queen Marie Laveau (Angela Bassett) and socialite serial killer Delphine LaLaurie (Kathy Bates), who tortured and murdered her slaves in the 1830s.

Set in the year 1952, the season follows a struggling freak show led by Elsa Mars (Jessica Lange) in the quiet town of Jupiter, Florida. Decades have passed since the public has looked upon freak shows as a form of entertainment, but Elsa dreams of finding a home for her "monsters", as well as for her own fame and fortune. Other members of her troupe include Jimmy Darling (Evan Peters), a boy born with syndactyly who dreams of living a normal life, and his mother Ethel (Kathy Bates), a bearded lady who is Elsa's second-in-command by maintaining law and order under the tent. A strongman from Ethel's past and Jimmy's biological father named Dell Toledo (Michael Chiklis), and his three-breasted wife Desiree Dupree (Angela Bassett), arrive to join the freak show. To drum up business and save her troupe once and for all, Elsa also recruits conjoined twin sisters Bette and Dot Tattler (Sarah Paulson) to perform for her show. In a time when the era of television is beginning to reign high above sideshow acts, these individuals must overcome those who persecute them based on their looks. However, as the season unfolds, it is revealed that multiple dark entities have taken up residence in Jupiter, with all of their eyes being set on the freaks. A conman named Stanley (Denis O'Hare), posing as a Hollywood executive, arrives with his young protege Maggie Esmerelda (Emma Roberts), with the intention of murdering the freaks and sending their bodies to a museum for profit. The wealthy and spoiled Dandy Mott (Finn Wittrock), enabled by his doting mother Gloria (Frances Conroy), develops an unhealthy obsession with the freaks, particularly Bette and Dot. Perhaps the most dangerous of them all is a mysterious, deformed killer clown, only known as Twisty (John Carroll Lynch), who wreaks havoc among the town and appears to be targeting freaks and townspeople alike.

Set in the year 2015, the season follows the strange and dangerous happenings that seem to center around the retro Hotel Cortez in downtown Los Angeles, California, initially built as a secret torture chamber to fulfill the violent desires of founder James March (Evan Peters). Detective John Lowe (Wes Bentley) arrives at the hotel, based on intel from an anonymous tip, to investigate a grisly string of murders, each of which exemplify a sin in violation of one of the Ten Commandments. He has become estranged from his wife Alex (Chloe Sevigny), who suffers from depression, and his daughter Scarlett (Shree Crooks), after the disappearance of their son Holden (Lennon Henry) five years earlier. As the season unfolds, the Lowes discover that the disappearance of Holden may be related to the strange activities at the hotel, led by March's fashionista widow Elizabeth Johnson (Lady Gaga), also known as the Countess—who was turned into a vampire by her former lovers, actor Rudolph Valentino (Finn Wittrock) and his wife Natacha Rambova (Alexandra Daddario)—and her current lover Donovan (Matt Bomer). Throughout his investigation, John also becomes entangled with the spirits of heroin junkie named Sally (Sarah Paulson), hotel maid Hazel Evers (Mare Winningham), and James March, who is looking for a protege to continue the violent acts he started when he was alive. The hotel's tireless staff includes the surly front desk manager Iris (Kathy Bates), Donovan's mother who took the job to be close to her son, and her best friend, the transgender bartender Liz Taylor (Denis O'Hare), both of whom hesitantly cater to Elizabeth and her vampiric children. Elizabeth's relationship with Donovan becomes troubled with the arrival of male model and cocaine addict Tristan Duffy (Finn Wittrock), New York fashion designer Will Drake (Cheyenne Jackson), and her scorned ex-lover Ramona Royale (Angela Bassett), all of whom become entangled in her violent life.

Set in the years 2014-2016, the season follows the supernatural events that occur in a renovated farmhouse in North Carolina, which is situated on the land where the Roanoke Colony moved after their infamous 1580s disappearance. In 2015, Shelby Miller (Lily Rabe), her husband Matt (André Holland), along with Matt's sister Lee Harris (Adina Porter) recount their harrowing experience living in the farmhouse a year prior in a popular documentary series titled "My Roanoke Nightmare", including their encounters with the ghosts of the house's previous residents, the violent ghosts of the Roanoke Colony, the cannibalistic Polk family who live nearby, and the beautiful, yet terrifying Celtic goddess, Scáthach (Lady Gaga). The documentary becomes a huge success, featuring dramatic reenactments of the Millers' story starring Audrey Tindall (Sarah Paulson) as Shelby, Dominic Banks (Cuba Gooding Jr.) as Matt, Monet Tumusiime (Angela Bassett) as Lee, Agnes Mary Winstead (Kathy Bates) as Thomasin White - also known as The Butcher, leader of the ghost colony, Audrey's husband Rory Monahan (Evan Peters) as Edward Philippe Mott, the creator and first owner of the house, William van Henderson (Denis O'Hare) as Dr. Elias Cunningham, a professor who becomes entranced with the paranormal happenings of the area, and Dylan (Wes Bentley) as Ambrose White, Thomasin's son and accomplice. In 2016, the success of the documentary leads to a sequel titled "Return to Roanoke: Three Days In Hell", spearheaded by the producer of the original series, Sidney Aaron James (Cheyenne Jackson), who invites the Millers, as well as many of the reenactment actors, to return to the farmhouse for three days, where all their actions will be captured by hidden cameras. Although the Millers are aware of the entities that reside in the house, all three agree to return, each with their own agenda. The production eventually descends into disaster, however, as cast and crew alike are quickly targeted when the violent entities begin to surface.

Set in the year 2017, the fictional town of Brookfield Heights, Michigan, is left divided upon the wake of Donald Trump's election as president. Local restaurant owner Ally Mayfair-Richards (Sarah Paulson) is left utterly distraught, along with her wife Ivy (Alison Pill). Despite the help of her psychiatrist, Dr. Rudy Vincent Anderson (Cheyenne Jackson), Ally becomes increasingly unstable in the following weeks, as her long repressed phobias begin to re-emerge, and they begin to affect her relationships with her wife as well as their son Oz (Cooper Dodson). Across town, misogynistic alt-righter Kai Anderson (Evan Peters) rejoices at the election results, enticing him to pursue political power by running for city council, led by radical feminist Bebe Babbitt (Frances Conroy) and with the help of his reluctant, liberal sister Winter (Billie Lourd), who the Mayfair-Richards household hire as their nanny. As Ally attempts to re-adjust to regular life despite her growing anxiety and paranoia, she becomes terrorized by a group of masked assailants, donned in clown attire who are only present when she is alone, leaving those around her to wonder if she was truly attacked, or if they were merely hallucinations. Kai's faithful followers include Ally's eccentric neighbors Harrison (Billy Eichner) and Meadow Wilton (Leslie Grossman), reporter Beverly Hope (Adina Porter), detective Jack Samuels (Colton Haynes), and supermarket owner Gary K. Longstreet (Chaz Bono). With Kai's rise to power revealing sinister motives, Ally starts to draw connections between her alleged clown attackers and the many strange incidents occurring in Brookfield Heights. She begins to fear that everyone in town is out to get her, amplifying her growing distrust of those around her, especially her neighbors.

In the near future, the Antichrist, Michael Langdon (Cody Fern) brings about the apocalypse by instigating nuclear warfare. The chosen survivors of the aftermath, heiress Coco St. Pierre Vanderbilt (Leslie Grossman), her personal assistant Mallory (Billie Lourd), hairstylist Mr. Gallant (Evan Peters), Gallant's grandmother Evie (Joan Collins), talk-show host Dinah Stevens (Adina Porter), young adults Timothy Campbell (Kyle Allen) and Emily (Ash Santos), amongst others, take refuge in a fallout shelter named "Outpost 3", run with an iron fist by Wilhemina Venable (Sarah Paulson) and Miriam Mead (Kathy Bates). Flashbacks to three years before the apocalypse reveal that "Outpost 3" was an all-boys warlock school led by John Henry Moore (Cheyenne Jackson) that unknowingly harbored the Antichrist, in hopes that he would rise as the first ever male Supreme. The witches' council of Cordelia Goode (Paulson), Zoe Benson (Taissa Farmiga) and Myrtle Snow (Frances Conroy) are summoned and quickly discover how dangerous Michael is to their coven when faced with his evident powers, as he resurrects deceased witches Queenie (Gabourey Sidibe) and Madison Montgomery (Emma Roberts). The coven, with the aid of the warlocks, attempt to save humanity by discovering new witch Mallory's intense powers, learning more about Michael's mysterious origins and how to defeat him to prevent the apocalypse.

On January 12, 2017, the series was renewed for a ninth season, with a two-season renewal alongside "Apocalypse", and is set to air in 2019. Subsequently, on August 3, 2018, the series was renewed for a tenth season, set to air in 2020.

On December 5, 2018, Murphy said the witches from "Coven" and "Apocalypse" will return in a future season, but not in the ninth.

Creators Murphy and Falchuk began working on "American Horror Story" before their Fox series "Glee" began production. Murphy wanted to do the opposite of what he had done previously and thus began his work on the series. He stated: "I went from "Nip/Tuck" to "Glee", so it made sense that I wanted to do something challenging and dark. And I always had loved, as Brad had, the horror genre. So it just was a natural for me." Falchuk was intrigued by the idea of putting a different angle on the horror genre, stating that their main goal in creating the series was to scare viewers. "You want people to be a little bit off balance afterwards," he said.

In February 2011, FX officially announced that it had ordered a pilot for a possible series from Ryan Murphy and Brad Falchuk, with both Murphy and Falchuk writing and Murphy directing. Dante Di Loreto was announced as executive producer. Production on the series began in April 2011. In July 2011, FX officially announced the project had been picked up to series.

From the beginning, Murphy and Falchuk planned that each season of the series would tell a different story. After the first-season finale aired, Murphy spoke of his plans to change the cast and location for the second season. He did say, however, that some actors who starred in the first season would be returning. "The people that are coming back will be playing completely different characters, creatures, monsters, etc. [The Harmons'] stories are done. People who are coming back will be playing entirely new characters," he announced. In November 2012, FX chief executive, John Landgraf, described the unique format of the series stating: "[T]he notion of doing an anthological series of miniseries with a repertory cast – has proven groundbreaking, wildly successful and will prove to be trendsetting."

At the 2013 PaleyFest, Falchuk compared the series to horror films: "It does demand a little bit of compassion at the end because you fall in love with these characters in a different way than you would in a movie," he said. "If you want to kill everybody in a movie except one person, you can kind of get away with that, but if you're looking to do a horror TV show, you have a different responsibility to the characters because the audience has a different affection for them."

Murphy then explained the process of planning a series' season takes about a year. "We come up with story first and then we come up with the characters," he said. "It is a repertory company, so we'll move people around and sometimes there won't yet be a role for somebody. Like when we started [the second season], I really had no idea that Dylan [McDermott] would be the person to play Sarah's son, but the deeper we got, I thought, that would work great."

In an August 2015 article for "Entertainment Weekly", Murphy revealed that the show is mulling producing two seasons a year, the first being broadcast in the spring and the second in the fall. He explained, "We're doing something that we've never done before on the show where we're doing two different groups of writers rooms. Some of our writers will be bouncing around but a whole different group coming in late August. The next thing we're crafting up is very, very different than ["Hotel"]. Not smaller. But just not opulent. More rogue and more dark."

Connie Britton was first to be cast in the series, portraying female lead Vivien Harmon on "Murder House". Denis O'Hare joined second as Larry Harvey. Jessica Lange soon followed as Constance, her first regular role on television. Dylan McDermott joined the cast soon after Lange as the male lead Ben Harmon. Taissa Farmiga and Evan Peters were the last actors to be added to the main cast, portraying Violet Harmon and Tate Langdon, respectively.
In March 2012, Murphy revealed that the second season had been planned around Jessica Lange, who portrays Sister Jude, a sadistic nun who runs the asylum. Evan Peters, Sarah Paulson, Lily Rabe and Zachary Quinto also return to join the main cast. Peters portrays Kit Walker, an inmate accused of murdering his wife. Paulson portrays Lana, a lesbian reporter who gets committed to the asylum because of her sexuality and intent to snoop around the sanitarium. Rabe's character is Sister Mary Eunice, clumsy second-in-charge to Sister Jude. Quinto portrays Dr. Thredson, a psychiatrist at the asylum. Lizzie Brocheré stars as Grace Bertrand, a character described originally as "a fierce, ferocious, extremely sexual, and dangerous wild-child sexpot", but the role was later heavily revamped. James Cromwell co-stars as Dr. Arthur Arden, who proclaims to be in charge of the asylum and performs dark experiments on its patients. Joseph Fiennes starred as Monsignor Timothy Howard, a possible love interest for Sister Jude.
For the third season, series executive producers and co-creators Ryan Murphy and Brad Falchuk stated that, as with the second season, "many actors" would return in different roles, beginning with Jessica Lange. Evan Peters and Sarah Paulson were confirmed to return, portraying Kyle Spencer and Cordelia Foxx, respectively. Murphy added that Lange would portray a "real glamour-cat lady", later revealed to be named Fiona Goode. Taissa Farmiga, Violet in the first season, starred as Zoe Benson, a character that is involved in a prominent romance during the season. Lily Rabe co-starred as Misty Day. Recurring cast member Frances Conroy joined as a main cast member, playing the character of Myrtle Snow. Oscar-winning actress Kathy Bates was confirmed to co-star. It was first reported that she would portray "a woman who, at the start, is Lange's character's best friend, but will become her worst enemy", but this was altered. Murphy stated that Bates' character will be "five times worse than [her] "Misery" character" and is also inspired by a "true event". She portrayed Madame Delphine LaLaurie, an immortal racist. It was announced in May 2013 that Emma Roberts had been added to the cast. Roberts played Madison Montgomery, a "self-involved party girl". In July 2013, season one alum Denis O'Hare also joined the cast in an unknown role, later revealed as Spalding.
In November 2013, Ryan Murphy confirmed that Jessica Lange would be returning for a fourth season, although in a reduced capacity. It was later revealed she would be playing Freak Show owner Elsa Mars. Kathy Bates returned in a main role, portraying bearded lady Ethel Darling. On March 29, 2014, Murphy announced that Sarah Paulson, Evan Peters, Frances Conroy, Emma Roberts, Denis O'Hare, and Angela Bassett would all return for the fourth season. Paulson portrayed conjoined sisters Bette and Dot Tattler; Peters portrayed "Lobster Boy" Jimmy Darling; Conroy played the well-off Gloria Mott; Bassett portrayed three-breasted hermaphrodite Desiree Dupree; and O'Hare played Stanley, a conman working with Roberts' Maggie Esmerelda. At PaleyFest 2014, it was revealed that Michael Chiklis would be joining the cast as Dell Toledo, the father of Jimmy, ex-husband of Ethel, and current husband of Desiree. Finn Wittrock later joined the main cast as Gloria's spoiled son, Dandy Mott.
For the series' fifth cycle, singer-songwriter Lady Gaga was announced as the first and newest main cast member on February 25, 2015. After a special guest appearance on the previous season, Matt Bomer joined the fifth season's cast along with series newcomer Cheyenne Jackson during PaleyFest 2015. Chloë Sevigny and Wes Bentley were promoted as main cast members, after they appear as recurring special guests in "Asylum" and "Freak Show" respectively. Murphy later announced the returns of Kathy Bates, Sarah Paulson, Evan Peters and Angela Bassett. In June 2015, it was announced Denis O'Hare would also return for the fifth season. In August 2015, Murphy announced the character roles for the cast: Gaga's Elizabeth Johnson also known as "The Countess", a fashionista vampire who owns the Hotel Cortez; Jackson's Will Drake, a desperate fashion designer; O'Hare's Liz Taylor, a transgender bartender who works at the hotel's Blue Parrot Lounge bar; Sevigny's Alex Lowe, a pediatrician who was the wife of Bentley's John Lowe, a detective who investigates the murders inside the hotel; Bomer's Donovan, the lover to the Countess whom often had conflict with his mother and hotel manager, Bates' Iris; Bassett's Ramona Royale, a former actress who was the former lover of Elizabeth; Paulson's Sally, a drug addict who had a rivalry with Iris and forms a bond with John since his visit in the hotel. Peters co-starred as serial killer James Patrick March and the original hotelier of the Hotel Cortez.
In February 2016, Angela Bassett confirmed she would return to join the main cast of the sixth season during an interview with Larry King. Denis O'Hare announced that he will also appear in the season in a May 2016 interview. In June 2016, Cheyenne Jackson, Evan Peters, Wes Bentley, and Kathy Bates announced their returns for the sixth season. In August 2016, Sarah Paulson announced that she would return to the series in the sixth season and Ryan Murphy announced that Oscar winner Cuba Gooding Jr. had joined the main cast. In September 2016, the full main cast was announced after the first episode with the inclusion of André Holland and returning series veteran Lily Rabe. On Halloween 2016, Murphy announced that Paulson's "Asylum" character, Lana Winters would also appear in the series after the recent appearance of the actress' first role Billie Dean Howard from "Murder House" in the final episode of the fifth season.

For the seventh season, Paulson and Peters were set to return to the series, as announced during the Winter 2017 TCA Press Tour. Billie Lourd, who made her breakout appearance with Murphy in 2015, was confirmed to join the main cast in April, while Jackson was the next series regular to return in the next month. In June, Alison Pill was announced to co-star in the season, portraying the partner of Paulson's character.

On October 2017, Paulson announced that she'll return for the series' eighth cycle. The next year, Peters was announced to appear in the main cast while Bates returned to the series after "Roanoke", leading the season with Paulson. Jackson confirmed he will return while Adina Porter was promoted to the series' main cast after her first appearance in "Murder House" as well as Leslie Grossman since "Cult". Lourd later returned to the main cast the next month. On June, Roberts announced that she'll reprise her "Coven" character Madison Montgomery in the eighth season. The next month, Australian actor Cody Fern was cast as the adult Michael Langdon who was last seen at the first series' final episode.

The pilot episode was shot on location in a house in Country Club Park, Los Angeles, California, which serves as the haunted house and crime scene in the series. Designed and built in 1908 by Alfred Rosenheim, the president of the American Institute of Architects' Los Angeles chapter, the Tudor or Collegiate Gothic-style single family home was previously used as a convent. The first season was filmed on sets which are an exact replica of the house. Details such as Louis Comfort Tiffany stained glass windows and hammered bronze light fixtures were recreated to preserve the look of the house.

Production and shooting for the second season began in late July 2012 for a scheduled premiere in mid October. The exteriors for the second season were filmed in Hidden Valley, Ventura County, California, a rural area outside Los Angeles, although the season took place in Massachusetts.

Principal photography for the third season began on July 23, 2013, in New Orleans, Louisiana. It was first reported that the season would film in multiple locations, but filming primarily took place in New Orleans.

Principal photography for the fourth season began on July 15, 2014, in New Orleans, though the story takes place in Jupiter, Florida.

Principal photography for the fifth season began on July 14, 2015, in Los Angeles, California, where the story also takes place. Murphy revealed a six-story hotel set was being built on the Fox lot. A dummy set of the hotel was built at the 2015 San Diego Comic-Con, showing an Art Deco style building from the 1920s, inspired by the old Hollywood era.

Filming for the sixth season began on July 6, 2016 at Santa Clarita, California. Set constructions include a colonial settler home to speculate the disappearance of the Roanoke Colony.

Filming for the seventh season was originally planned to begin in Orange, California, on June 2017 before it was moved to May instead.

Filming for the eighth season began on June 16, 2018. It was filmed in multiple locations.

"American Horror Story" title screens offer vague hints to important plot elements and events that compose each season. For "Murder House", Murphy described the sequence as a mini-mystery and stated that: "By the time you see the ninth episode of this season, every image in that title sequence will be explained," establishing the purpose of the title sequence for future seasons.

The opening title sequence was created by Kyle Cooper and his company Prologue. He also created the title sequence for the AMC series "The Walking Dead" and the 1995 film "Seven". The theme music was composed by sound designer Cesar Davila-Irizarry and musician Charlie Clouser. The cinematography was done by Juan Ruiz Anchía and the editing by Gabriel J. Diaz.

For "Murder House", the sequence is set in the Harmons' basement and includes images of postmortem young children, fetuses in jars, skulls, a christening dress, a nurse's uniform, and a figure holding a pair of bloody hedge clippers. A photo of alleged axe murderer Lizzie Borden is also shown.

"Asylum"s opening sequence is done by the same creative team. "We are shooting a new title sequence with the same team that did last year's," series creator Ryan Murphy said. "The song may stay... not sure." The music was kept, and the new title sequence was set around the Asylum, using shots of inmates raving and surgeons operating on patients with bandages obscuring their faces. Elements include a young girl walking backwards on her hands and feet up a staircase and a shot of the Virgin Mary's smile changing from one of benevolence to one of spite.

"Coven"s opening sequence keeps the same music, and this sequence is the first one to be filmed primarily outside and not in an enclosed location. Shots include figures wearing black robes and capirotes, a bony-skeleton creature with wings and shots of dead goats, the Minotaur from the season also appears. For the first time, there are actual backgrounds that appear with the actor names instead of an all-black background, some of these images include witches hanging and Santa Muerte. Other elements include a black man with piercing eyes and a disturbing smile as well as voodoo dolls burning. The final shot continues after the figures in black capirotes seize one of their own who is later seen burning at a stake where young, dress-clad witches dance around.

"Freak Show"s opening sequence changed things up, the series theme music remains intact albeit with an added carnival-like soundscape. The sequence is composed of both CGI and stop-motion animation and features strange characters such as a skeleton chimera of a human being and an elephant riding a bicycle, a skeleton of what appears to be a single head but two bodies, a devil-like man, a boy in a wheel chair with deformed legs, a character with severe syndactyly of the hands and feet, a clown who can twist his head around, a woman with a third leg where her genitalia should be, and a demonic cymbal-banging monkey toy. There are also shots of side show attractions like the Human Blockhead, knife throwing and sword swallowing. The main recurring element features a balloon twister popping balloons with a knife.

"Hotel"s opening sequence also was very different from previous seasons, taking more of a biblical approach. The font, while remaining the same as the first four seasons, glows in red against a hotel wallpaper. The Ten Commandments are also shown throughout the sequence. The intro returns to live-action like the first three seasons. Visuals include many people scrubbing blood all over the walls and the floor, strange things shown through peepholes, people being victims to the hotel, little kids running around the hotel, a woman screaming as she smears lipstick all over her face, as well as many different creatures.

"Roanoke" featured no title sequence or opening credits, instead opting for a simple title card from the first season, "Murder House", while the series theme music plays over the end credits. At the end of the finale's credits, the title of the season ""American Horror Story: Roanoke"" was revealed.

In the development of "Cult", Murphy confirmed that the opening sequence will return. "Cult"'s opening sequence features the series theme music played by a marching band. The sequence is live-action. Visuals include: a gang of clowns rising from a casket, Donald Trump and Hillary Clinton masks, a George Washington statue, a dead dog killed by toxic gas, a Merry Go Round, bloody hands that cannot be washed, a beehive, toxic smoke released from a grenade, holes in several forms, a bloody US flag with the sound of a xylophone playing The Star-Spangled Banner, a blood covered couple having sex, a magician pulling guts out of a hat and a handcuffed pinky promise.

"Apocalypse"s opening sequence features the original theme music from the first three seasons. Red and white are the main colors, visually representing "Murder House" and "Coven". The sequence includes images of nuclear disaster and sketches of demons fusing together. Other visuals include burning candles, snakes, both human and goat skulls, a scorpion, a blooming flower, and photos of nuclear-testing documents. Visuals from the title sequences of both season one and season three are also included with slight alterations, including the skeletal winged creature in the forest ("Coven"), the nurse's blouse ("Murder House"), a picture of a baby that has been set on fire ("Murder House"), and the goat skulls ("Coven"). It is notable that many images are shown in reverse.

The title sequence for all seasons of the show use a variation of the Willow typeface that very closely resembles a style for which Scottish designer Charles Rennie Mackintosh was known.

As part of the promotion for the series, FX launched a "House Call" campaign, in which viewers at home could sign up and come face-to-face with a character from the series. Prior to the series premiere, FX released several clues to shine light on the series. They were offered on the show's official YouTube channel. Ten clues were released. In September 2011, FX launched a website which allows visitors to tour the Murder House throughout the decades and look for clues.

In August 2012, the first promo for the second season was released on the "American Horror Story" Facebook page entitled "Special Delivery", in which a nun carries a couple of buckets filled with body parts through a field. As a church bell rings, the nun empties one bucket's bloody contents, leaving the empty bucket behind, and resumes her trek. Over 20 subsequent teasers were released. Four photos were also released on EW.com. Two televised teasers, titled "Meet the Residents", were released on August 31, 2012. They feature the patients and some staff (such as Dr. Thredson, played by Zachary Quinto, and Sister Mary Eunice, played by Lily Rabe) lying in twin beds and dealing with their individual issues as the heads of the asylum (Jessica Lange, Joseph Fiennes and James Cromwell) look on. The song "Que Sera, Sera", mixed with the show's theme music, plays. To promote "Cult", a competition was set up where fans who donated to the Children's Hospital Los Angeles could get a chance to get a walk-on role in an episode, and lunch with Evan Peters.

On August 16, 2016, FX announced a deal had been struck to feature an "American Horror Story" exhibit at Universal Studios Hollywood and Universal Orlando for their "Halloween Horror Nights". The maze will feature sets and themes from "Murder House", "Freak Show", and "Hotel". Universal said of the experience, "Twisted scenes from "Murder House" will unleash the evil spirits that possess the Harmon estate, spiraling guests through decades of the tortured dead who previously resided there. In "Freak Show", guests will join a troupe of biological misfits in a sinister sideshow where they'll be stalked by the murderous and deformed Twisty the Clown. Finally, guests will succumb to the warped desires of The Countess after checking into the haunted Hotel Cortez, conceived from the beginning as a torture chamber for its customers."

In 2017, the show returned as haunted attractions to both parks, with Universal Orlando having an attraction based on "Asylum", "Coven", and "Roanoke", and Universal Studios Hollywood basing their attraction solely on "Roanoke".

The series premiered on October 5, 2011, and is broadcast on the cable television channel FX in the United States. In November 2011, it premiered internationally on the respective countries' Fox Networks Group. The first season premiered on October 5, 2011, and concluded on December 21, 2011. The second season premiered on October 17, 2012, and concluded on January 23, 2013. The third season premiered on October 9, 2013, and concluded on January 29, 2014. The fourth season premiered on October 8, 2014, and concluded on January 21, 2015. The fifth season premiered on October 7, 2015, and concluded on January 13, 2016. The sixth season premiered on September 14, 2016, and concluded on November 16, 2016. The seventh season premiered on September 5, 2017, and concluded on November 14, 2017. The eighth season premiered on September 12, 2018 and concluded on November 14, 2018. Seasons 5-7 premiered on the same day and same time with the American broadcasts on FX in Canada, though the first season followed a slightly different schedule as that network launched on October 31, 2011. The series is aired in India on STAR World Premiere HD shortly after its U.S. airing. Along with it, it airs on FX India on standard definition.

The first season, "", received generally positive reviews from critics. Review aggregator Rotten Tomatoes reported that 73% of 38 critics gave the first season a positive review. The site's consensus stated: "Convoluted yet effective, "American Horror Story" is strange, gory, and twisted enough to keep viewers hooked." The first season scored 62 out of 100 on Metacritic based on 30 reviews. Ken Tucker from "Entertainment Weekly" awarded the pilot episode a B+, stating: ""AHS" is pretty much all scare, all the time: a whole lotta screams, sex, jolts, mashed faces, psychotic behavior, and dead babies." Hank Stuever from "The Washington Post" said in his review that: "Overdoing things is one of Murphy's trademark flaws, but this show has a captivating style and giddy gross-outs." Not all reviews were favorable: Alan Sepinwall of HitFix gave the series a D−, saying: "It is so far over the top that the top is a microscopic speck in its rearview mirror, and so full of strange sounds, sights and characters that you likely won't forget it – even though many of you will wish you could." Sepinwall would later go on to call it one of the worst TV shows of 2011. The "Los Angeles Times" Mary McNamara gave it a mixed review, stating that it "collapses into camp... upon more than one occasion" but also noting that it is "hard to look away."

The second season, "", received positive reviews from critics. Review aggregator Rotten Tomatoes reported that 84% of 43 critics gave the season a positive review. The site's consensus is: ""American Horror Story: Asylum" crosses boundaries to shock and scare with sexy subplots and some innovative takes on current social issues." It scored 65 out of 100 on Metacritic based on 23 reviews. James Poniewozik from "Time" stated: ""AHS: Asylum" feels like a more focused, if equally frenetic, screamfest. It's also gorgeously realized, with a vision of its '60s institution setting so detailed you can smell the stale air and incense." Maureen Ryan of "The Huffington Post" said: "It's to the credit of "Asylum" writers, directors and cast that the emotional pain of the characters often feels as real as their uncertainty and terror." Verne Gay from "Newsday" gave the season a C grade, stating it "has some good special effects, just not much of a story to hang them on." Linda Stasi of the "New York Post" thought the season was "over the top," adding: "I need to enter [an asylum] myself after two hours of this craziness."

The third season, "", received positive reviews from critics. Review aggregator Rotten Tomatoes reported that 85% of 34 critics gave the season a positive review. The site's consensus reads: "A noteworthy ensemble cast combined with creepy storytelling and campy, outrageous thrills make "American Horror Story: Coven" a potently structured fright-fest." It scored 71 out of 100 on Metacritic based on 24 reviews, the highest score for the show to that point. Not all reviews were positive, however, with criticism focused mainly in regards to the progression of both the story and certain character arcs in the second half of the season. "The A.V. Club" gave this season the low rating of a D+, with critic Todd Van DerWerff remarking: "It lurched drunkenly from idea to idea, never settling on one long enough to build anything of worth."

The fourth season, "", received positive reviews. Review aggregator Rotten Tomatoes reports that 79% of 32 critics gave the season a positive review. The site's consensus is: "Though it may turn off new viewers unaccustomed to its unabashed weirdness, "Freak Show" still brings the thrills, thanks to its reliably stylish presentation and game cast." It scored 69 out of 100 on Metacritic based on 19 "generally favorable" reviews.

The fifth season, "", received more mixed reviews from critics, in comparison to its predecessors. Rotten Tomatoes reports that 63% of 43 critics gave the season a positive review. The site's consensus is: "Favoring garish style over effective storytelling, the fifth American Horror Story strands a talented cast at Ryan Murphy's Hotel." Audience reception on the same website was also mixed, with 57% of viewers giving the show a favorable review. "Hotel" scored a 60 out of 100 on Metacritic based on 24 "mixed or average" reviews.

The sixth season, "", received positive reviews from critics. Rotten Tomatoes reports that 76% of 13 critics gave the season a positive review. The site's consensus is: ""American Horror Story: My Roanoke Nightmare" takes a surprising turn away from prior "AHS" formats, revisiting the deliberate pace of earlier seasons on a spookier, smaller scale, even if the true-crime format feels overdone." It scored a 72 on Metacritic based on six reviews.

The seventh season, "", received mostly positive reviews from critics. Rotten Tomatoes reports that 73% of 47 critics gave the season a positive review. The site's consensus is: ""American Horror Story: Cult" intrigues with timely, over-the-top creepiness – and lots of clowns – despite being hampered by broad political generalizations and occasional holes in the narrative's logic." It scored a 66 on Metacritic based on 24 "generally favorable" reviews.

The eighth season, "", received mostly positive reviews from critics. Rotten Tomatoes reports that 71% of 175 critics gave the season a positive review. The site's consensus is: "Ryan Murphy and his murderers' row of witchy performers literally save the world - and franchise - in Apocalypse, the series most ambitious crossover swing yet." It scored a 63 on Metacritic based on 6 "generally favorable" reviews.

Ryan Murphy and Brad Falchuk have been credited with creating a series that increases both the LGBT creators and storylines in the industry. Theresa L. Geller and Anna Marie Banker have stated that Murphy and Falchuk utilize "the formal structure of the serialized anthology...to present serial narratives made by and about 'queers,' openly subverting gender and sexual norms that define the majority of television".

The second season's premiere gained a 2.2 18–49 ratings share and gathered 3.85 million viewers, marking the highest numbers for the series. By the season's sixth episode, the numbers dropped to a series-low 0.9 18–49 ratings share and 1.89 million viewers; however, they rebounded to above two million viewers for the subsequent episodes, and reached 2.29 million viewers for the season's finale. The premiere of the fifth season of the series became the second most-watched telecast in the network's history, only behind the premiere episode of the previous season, which was watched by 6.13 million viewers. The show was subsequently renewed for another season; John Landgraf, the CEO of the network, commented on the show's success by saying that "American Horror Story", the network's highest rated series, "has unquestionably joined the ranks of television's landmark series." In 2016, a "New York Times" study of the 50 TV shows with the most Facebook Likes found that "unlike a lot of shows about the supernatural", "American Horror Story" was "more popular in cities, but also throughout parts of the Southwest".

"American Horror Story" has won 73 of its 303 award nominations. The franchise has garnered 28 Primetime Emmy Award nominations, with Jessica Lange winning for Outstanding Supporting Actress in a Miniseries or a Movie and for Outstanding Lead Actress in a Miniseries or a Movie, James Cromwell winning for Outstanding Supporting Actor in a Miniseries or a Movie, and Kathy Bates winning for Outstanding Supporting Actress in a Miniseries or a Movie. It received an additional 50 Creative Arts Emmy Award nominations, winning eleven times, including Outstanding Hairstyling for a Miniseries or a Movie, Outstanding Costumes for a Miniseries, Movie, or Special, Outstanding Sound Editing for a Miniseries, Movie, or Special, and Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or a Special. It has received nine Golden Globe Award nominations, with Lange winning for Best Supporting Actress in a Series, Miniseries or Television Film, and Lady Gaga winning for Best Actress in a Miniseries or Television Film. The series has also received three Screen Actors Guild Award nominations, with Lange winning for Outstanding Performance by a Female Actor in a Drama Series. Additional accolades include eighteen Critics' Choice Television Awards nominations, with four wins, the GLAAD Media Award for Outstanding TV Miniseries, four Costume Designers Guild Awards nominations, winning three times, eight wins out of ten nominations at the Make-Up Artists and Hair Stylists Guild, five People's Choice Awards nominations, winning once, and eleven Satellite Awards nomination, with three wins.

On October 7, 2014, it was announced that FX had ordered a 10-episode spin-off titled "American Crime Story", developed by Scott Alexander and Larry Karaszewski. While each season of "American Horror Story" focuses on a new horror theme, each season of "American Crime Story" focuses on a new true crime story. The series features "American Horror Story" cast members Sarah Paulson, Connie Britton, Cuba Gooding Jr., Darren Criss, Finn Wittrock, Max Greenfield and Cody Fern. The first season premiered in February 2016, with the second season premiering in January 2018. A third season is in development.

"Halloween" is a two-part episode, consisting of the fourth and fifth episodes of the of the television series "American Horror Story". The first part aired on October 26, 2011, and the second on November 2, 2011. Part 1 was written by James Wong and Part 2 was written by Tim Minear; both were directed by David Semel. Part 1 is rated TV-MA (LSV) and Part 2 is rated TV-MA (LV).

Halloween (American Horror Story)

Part 1 was nominated for a Primetime Emmy Award for Outstanding Costumes for a Miniseries, Movie or Special.

In this two-part episode, the Harmons are visited by the former owners of the house and are given advice on Halloween decorating while Tate (Evan Peters) is harassed by bloody teens while on a date with Violet (Taissa Farmiga). Kate Mara and Zachary Quinto are credited as special guest stars for their roles as Hayden McClaine, the student Ben was having an affair with; and Chad Warwick, one of the former owners of the house.

In 2010, a couple, Chad and Patrick now own the house. They have a damaging relationship and while decorating the house, Chad confronts Patrick about his infidelity after finding seductive messages to a person online before an angered Patrick leaves. Moments later, the Rubber Man appears and Chad believes the man to be his partner but the latex figure ends up attacking him before attempting to drown him and breaking his neck. Patrick, in a cowboy costume arrives and sees Chad's corpse before staring at the Rubber Man in shock.

Vivien calls a private security officer named Luke over to install more defense mechanisms for the house. The Harmons hire interior designers ("fluffers") to make over the house to help it sell, mistaking Chad and Patrick for the fluffers. Chad tells Vivien that he once caught Patrick cheating by checking his phone bill, suggesting she do the same. Upstairs, Patrick attempts to seduce Ben but he refuses. Later, Larry harasses Ben, demanding payment for killing Hayden, but Ben rebuffs him. Ben agrees to continue sessions with Tate, but outside the house only.

Addie argues with Constance about wanting to dress as a "pretty girl" for Halloween. Constance laughs at her, but later buys her a "pretty girl" costume to make up with her. While trick-or-treating, Addie is hit by a car, and Constance attempts to get her to the Harmons' lawn before she dies, so Addie's ghost will remain in the house but fails and Addie dies on the pavement. A devastated Constance screams in agony. Violet meets Tate and demands to know what is in the basement. Tate says it is the still-living abomination created when Dr. Charles Montgomery, tried to bring his dismembered child back to life by sewing the pieces together with various animal parts.

Chad and Patrick continue to decorate the house for Halloween night, however Chad's controlling demeanour eventually leads Vivien to kick them both out of the house. They initially refuse, but leave once they see the Rubber Man starring at them through the window. Vivien confronts Ben with his phone bill, but Ben insists that he and Hayden are over. Thinking that Ben is lying, Vivien demands that he leave. Suddenly, the baby kicks – despite the fact Vivien is only eight weeks pregnant. At the hospital, an ultrasound reveals that the baby is more developed than it should be; the X-ray technician then collapses after seeing the baby on-screen.

On Halloween night, when "the dead can walk freely", Moira visits her comatose mother in a hospital and disconnects her life support machine, but she is unable to pass on with her pleading mother's departing soul. Meanwhile, Violet, left alone in the house while her parents are at the hospital, hears Larry banging at the door, demanding "his money". She calls her father, who tells her to make sure everything is locked, and wait for them to return. Violet hangs up, not noticing the Rubber Man is standing behind her.

When the Harmons return from the hospital, they find the house broken into and Violet is nowhere to be found. Ben answers a knock at the door, and finds Hayden covered in dirt.

Larry leaves and Violet decides to go upstairs. The Rubber Man, unnoticed by Violet, also disappears. Whilst Violet is sitting on her bed, a hand tries to grab her leg, but misses when Violet gets up after hearing Tate throw rocks at her bedroom window. Tate and Violet go out on a date. Ben and Vivien return to the house and start looking for Violet, but after Violet calls Vivien and assures her that she is safe, Vivien allows her to stay out. Tate and Violet go to the beach where five mutilated teens appear and harass Tate, prompting him to leave with Violet.

After Ben shuts the door on Hayden, Vivien attempts to kick him out of the house, but he refuses, as he's "not giving up on this family." He then goes outside and discovers Larry in the back yard. Believing that Hayden's murder was staged and that both of them are attempting to extort him, Ben attacks Larry with a shovel. Larry realizes that Hayden has come back as a ghost, but Ben refuses to listen and threatens to kill him if he sees him again. Back inside, Vivien reiterates her desire for Ben to leave, and goes to prepare a bath. Hayden calls her on her phone and they argue, ending with Hayden leaving a message on the steamed mirror urging Vivien to ask Ben about Boston. Vivien tells Ben that Hayden is in the house. He eventually finds Hayden in the basement and after an argument, during which Hayden reveals to Ben that she is dead, Larry knocks Ben out with a shovel and ties him up, planning to burn the house down. Nora unties Ben, urging him to save his child. Vivien goes outside and finds Chad smashing pumpkins. He is angry that Vivien "ruined his Halloween," and now she has to pay for it. She goes back into the house, with Chad in pursuit, and locks the door.

Hayden confronts Vivien, and they are shocked to learn that they are both pregnant. Hayden attacks Vivien with a shard of glass but is stopped by Ben, who is forced to admit that he impregnated Hayden months after Vivien discovered the affair. Having heard the alarm, Luke arrives at the house and arrests Hayden. After talking with Luke, Hayden disappears from his car. Meanwhile, Ben packs his belongings and sadly leaves the house.

The teens find Tate and Violet, but Tate protects Violet by making them chase him. Constance grabs Violet and takes her to her house, where she reveals that Addie is dead and Tate is her son. The teens catch up with Tate and reveal they are ghosts who attended Westfield High, that were killed when Tate committed a school shooting. The ghosts angrily demand to know why he killed them, or to at least admit what he did, but Tate cannot remember anything. With Halloween night ending, the teens solemnly leave.

The other ghosts, Moira, Chad, Patrick, Troy and Bryan, Nora, Maria, and Gladys wearily return to the house.

Part one was written by co-executive producer James Wong, part two was written by consulting producer Tim Minear. Both parts were directed by David Semel.

Regarding the house and its ghosts, series co-creator Ryan Murphy speaks as though the Harmon house is alive. "One of the things about the house we're trying to say," he says, "is that the house always has sort of a prescient intelligence in that it knows exactly the right moment to send the undead back to fuck with the people who live in the house. The house knows what you're afraid of and will scare you. The house also knows what you need to hear and then will provide it. So the timing of it, it's almost like what's going on in these character's personal lives is what conjures these spirits."

About the character Chad, Murphy likes Zachary Quinto's take on him, "I think there's a great sadness that he [Quinto] plays to somebody who sort of gave everything to something, be it the house or a relationship, and then it doesn't turn out to your preconceived notions. I think he plays that frustration well. I also love his [Chad's] connection to Vivien in that he and Vivien are both with sex addicts. So there's great pain and frustration to loving somebody with that situation and also like, 'Why do you stay?' I think he created this world of beauty and comfort and hopefully children in the future and so I like the rage of it."

"Halloween (Part 1)" received an 86% approval rating from Rotten Tomatoes, based on 7 reviews, and "Halloween (Part 2)" received an 88% approval rating, based on 8 reviews. IGN's Matt Fowler gave the first part an overall score of 8, describing the episode as a "fairly unsettling romp", adding that the death of Adelaide was unexpected and that Constance's reaction to her daughter's death was "wrenching". Todd VanDerWerff from "The A.V. Club" gave the first part a C+ grade. He awarded the second part of the episode a B grade.

In its original American broadcast, "Halloween (Part 1)" was seen by an estimated 2.96 million household viewers and gained a 1.7 ratings share among adults aged 18–49; a then series high. The second part received a 1.6 ratings share among adults 18-49, down a tenth of a point from the first part.


What was Shakespeare's most famous poem?

Basse's most famous poem is his "enormously popular sixteen-line elegy on Shakespeare":

William Basse

William Basse (c.1583–1653?) was an English poet. A follower of Edmund Spenser, he is now remembered principally for an elegy on Shakespeare. He is also noted for his "", which was written for Izaak Walton, who included it in "The Compleat Angler".

William Basse's family background and place of birth are unknown. He was described by the antiquary Anthony à Wood in 1638 as "of Moreton, near Thame, in Oxfordshire, sometime a retainer to the Lord Wenman of Thame Park". R. Warwick Bond has suggested that Basse may have come to Thame from Northamptonshire as page to Agnes Fermor, first wife of Richard Wenman, 1st Viscount Wenman, and daughter of Sir George Fermor of Easton Neston, Northamptonshire. From the references made in Basse's poems to Francis Norris, 1st Earl of Berkshire, it has been inferred that the poet was at one time also attached to his household at Rycote, Oxfordshire. Basse dedicated "Polyhymnia" to Bridget, Countess of Lindsey, second wife of Montagu Bertie, 2nd Earl of Lindsey, and the opening poem in the volume is addressed to the Countess's grandfather, Francis Norris, 1st Earl of Berkshire:

"In playne (my honour'd Lord) I was not borne"
"Audacious vowes or forraigne legs to use;"
"Nature denyed my outside to adorne,"
"And I of art to learne outsides refuse."
"Yet haveing of them both enough to scorne"
"Silence and vulgar prayse, this humble Muse"
"And her meane favourite at your command"
"Chose in this kinde to kisse your noble hand."

Basse was educated at Lord Williams's School.

The long interval of fifty-one years between the production of the first and last poems bearing Basse's signature led John Payne Collier to conjecture that there were two poets of the same name, and he attributed to an elder William Basse the works published in 1602, and to a younger William Basse all those published later. The internal evidence offered by the poems fails, however, to support this conclusion. "Urania", the last poem of the collection, bearing the date 1653, has all the metrical characteristics of the "Sword and Buckler" of 1602; and Bathurst's verses prove that Basse followed his poetical career through many generations. A William Basse 'of Suffolk' entered Emmanuel College, Cambridge, as a sizar in 1629, and took the degree of B.A. in 1632, and that of M.A. in 1636, but it is highly improbable that this student was the poet. There was a family named Basse, of Benhall, Suffolk, in the seventeenth century, of whom a William died in 1607, aged 85, and left a son Thomas and a grandson William, probably the Cambridge student; but it is impossible to identify the poet with any member of this family. The fact that his 'Great Brittaines Sunnesset' was published at Oxford, and his intimate relations with two great Oxfordshire houses, seem to connect the poet with Oxfordshire rather than with Suffolk.

In 1602 two poems by 'William Bas' were published in London. The one was entitled "Sword and Buckler, or Serving Man's Defence"; the other "Three Pastoral Elegies of Anander, Anetor, and Muridella". Of the former, which the author describes as his first production, a unique perfect copy is in the Bodleian Library; it was reprinted in J. P. Collier's "Illustrations of Early English Popular Literature", vol. ii., in 1864. The only copy known of the latter is in Winchester College library. In 1613 an elegy on Henry Frederick, Prince of Wales, called "Great Brittaines; Sunnes-set, bewailed with a Shower of Teares, by William Basse", was issued by Joseph Barnes at Oxford. It was dedicated by the author "to his honourable master, Sir Richard Wenman, knight", and was reproduced at Oxford by W. H. Allnutt from the perfect copy at the Bodleian in 1872.

No other volume of Basse's poems was printed in his lifetime, but two manuscript collections, prepared for the press, are still extant. Of these, one bears the title of "Polyhymnia", and has never been printed. The only copy of it was known to belong to Richard Heber, and afterward to Thomas Corser; on the fly-leaf is the autograph of Francis, Lord Norreys, to whom the opening verses are addressed, and to whose sister, Bridget, Countess of Lindsey, the collection is dedicated. Another manuscript of "Polyhymnia", described by Cole in his manuscript 'Athenæ Cantab.' and now lost, differed materially from the Corser manuscript. The second collection left by Basse in manuscript consists of three long pastoral poems, of which the first is dedicated to Sir Richard Wenman; bears the date 1653, and was printed for the first time in J. P. Collier's "Miscellaneous Tracts", in 1872. To it is prefixed a poem addressed to Basse, by Ralph (afterwards dean) Bathurst, who compares the author to an "aged oak", and says:

... "thy grey muse grew up with older times,"
"And our deceased grandsires lisp'd the rhymes."
Bathurst's verses were printed in Warton's pleasant 'Life of Bathurst' (1761), p. 288, with the inscription 'To Mr. W. Basse upon the intended publication of his poems, 13 January 1651.'

[It was] written between 1616 (when Shakespeare died) and 1623 (when Jonson responded to Basse in his own tribute to Shakespeare in the "First Folio"). Wells and Taylor list twenty-seven different seventeenth-century manuscript versions of the poem, ten of which attribute it to Basse, including one (British Library, Lansdowne MS 777, fol. 67v) in the handwriting of Basse's friend William Browne. It first reached print in the 1633 edition of John Donne's poems, but was dropped from the 1635 edition, and was next printed in the 1640 edition of Shakespeare's poems, with a correct attribution to 'W. B.' and the title 'On the Death of William Shakespeare, who Died in Aprill, Anno. Dom. 1616' (sig. K8v). The same year it was also printed anonymously in "Wits Recreation".

Basse also wrote a commendatory poem for Michael Baret's "Hipponomie, or the Vineyard of Horsemanship" (1618), and he has been identified with the 'W. B.' who contributed verses to Phillip Massinger's "Bondman" (1624), although William Browne has also been claimed as their author.

In Izaak Walton's "Compleat Angler" the character Piscator, representing Walton, remarks, "I'll promise you I'll sing a song that was lately made at my request by Mr. William Basse, one that hath made the choice songs of the 'Hunter in his Career' and of 'Tom of Bedlam', and many others of note; and this that I will sing is in praise of Angling." Basse's "Angler's Song", beginning "As inward love breeds outward talk", then follows. Piscator's friend Coridon says "we are all beholding to the good man that made this song" and proposes a toast to the poet. Of the other two songs mentioned by Walton, a unique copy of "Maister Basse, his careere, or the new hunting. To a new Court tune", is in the Pepys collection at Cambridge; it is reprinted in 'Wit and Drollery' (1682), p. 64, and in "Old Ballads" (1725), ii. 196. The tune is given in the Skene MS. preserved in the Advocates' Library, Edinburgh, and a ballad in the Bagford collection in the British Museum, entitled "Hubert's Ghost", is written "to the tune of Basse's Career". Basse's second ballad, "Tom of Bedlam", has been identified by Sir Harris Nicolas in his edition of Walton's "Angler", with a song of the same name in Percy's "Reliques", ii. 357; but many other ballads bear the same title, and this identification is therefore doubtful. In 1636 Basse contributed a poem to the 'Annalia Dubrensia.'

Sonnet 18 is one of the best-known of the 154 sonnets written by the English playwright and poet William Shakespeare.

Sonnet 18

In the sonnet, the speaker asks whether he should compare the young man to a summer's day, but notes that the young man has qualities that surpass a summer's day. He also notes the qualities of a summer day are subject to change and will eventually diminish. The speaker then states that the young man will live forever in the lines of the poem, as long as it can be read. There is an irony being expressed in this sonnet: it is not the actual young man who will be eternalized, but the description of him contained in the poem, and the poem contains scant or no description of the young man, but instead contains vivid and lasting descriptions of a summer day; which the young man is supposed to outlive.

Sonnet 18 is a typical English or Shakespearean sonnet, having 14 lines of iambic pentameter: three quatrains followed by a couplet. It also has the characteristic rhyme scheme: "abab cdcd efef gg". The poem reflects the rhetorical tradition of an Italian or Petrarchan Sonnet. Petrarchan sonnets typically discussed the love and beauty of a beloved, often an unattainable love, but not always. It also contains a "volta", or shift in the poem's subject matter, beginning with the third quatrain.

The couplet's first line exemplifies a regular iambic pentameter rhythm:

The poem is part of the Fair Youth sequence (which comprises sonnets 1–126 in the accepted numbering stemming from the first edition in 1609). It is also the first of the cycle after the opening sequence now described as the procreation sonnets. Some scholars, however, contend that it is part of the procreation sonnets, as it addresses the idea of reaching eternal life through the written word, a theme they find in sonnets 15–17. In this view, it can be seen as part of a transition to sonnet 20's time theme.

"Complexion" in line six, can have two meanings:

In Shakespeare's time "complexion" carried both outward and inward meanings, as did the word "temperate" (externally, a weather condition; internally, a balance of humours). The second meaning of "complexion" would communicate that the beloved's inner, cheerful, and temperate disposition is constant, unlike the sun, which may be blotted out on a cloudy day. The first meaning is more obvious: a negative change in his outward appearance.

The word, "untrimmed" in line eight, can be taken two ways: First, in the sense of loss of decoration and frills, and second, in the sense of untrimmed sails on a ship.In the first interpretation, the poem reads that beautiful things naturally lose their fanciness over time. In the second, it reads that nature is a ship with sails not adjusted to wind changes in order to correct course. This, in combination with the words "nature's changing course", creates an oxymoron: the unchanging change of nature, or the fact that the only thing that does not change is change. This line in the poem creates a shift from the mutability of the first eight lines, into the eternity of the last six. Both change and eternity are then acknowledged and challenged by the final line.

"Ow'st" in line ten can carry two meanings, each common at the time: "ownest" and "owest". "Owe" in Shakespeare's day, was sometimes used as a synonym for "own". However, "owest" conveys the idea that beauty is something borrowed from nature—that it must be paid back. In this interpretation, "fair" can be a pun on "fare", or the fare required by nature for life's journey. Other scholars have pointed out that this borrowing and lending theme within the poem is true of both nature and humanity. Summer, for example, is said to have a "lease" with "all too short a date." This monetary theme is common in many of Shakespeare's sonnets, as it was an everyday theme in his budding capitalistic society.